Cruising down the Nile at sunrise is one of those things you talk about for years, and then you’re there and it’s even better than you imagi…
For those who are new here: we are PCD Studios, a family-owned architectural millwork firm and bicoastal design studio. We began more than f…
Our Wilhaggin kitchen began as a private family conversation centered on a long-held understanding of what home should feel like once the no…
The best way to describe Carrara marble is this: a feeling of history you actually get to live in. That soft white surface, those gentle gra…
We still can’t get over our trip to Egypt with Classical Excursions, and I don’t think we ever really will. The precision of hands that knew…
Incorporating mesh into cabinetry creates a balance between what is seen and what is suggested. The mesh softens the view just enough, letti…
From coffered plaster ceilings in Renaissance Italy to glazed ceramic vaults in Spain and North Africa, ornamenting the fifth wall with tile…
This render offers a quiet glimpse into an upcoming project tucked along the banks of Copake Lake, just a couple hours from Manhattan but se…
In this rendering from one of our latest projects in collaboration with @jackfhillipsdesign, we learned that out is overrated and in is well…
For our Palm Beach showroom, these barstools from Richard Wrightman felt like pieces worth building a room around. They are functional, of c…
You start to realize pretty quickly that barware has a way of spreading out if it doesn’t have a proper home. Glasses here, linens there, a …
Imagine this: You’ve just come in from the dock, towel slung over your shoulder, cheeks still sun-warmed and skin smelling faintly of sunscr…
This drawer pull from Classic Brass reads less like hardware and more like jewelry for a room. The proportions are exact: a precise, low pro…
Late afternoon details in our New York showroom, when the light moseys in and gently points out everything we love the most about this space…
J.M.W. Turner’s The Slave Ship, 1840. Oil on canvas. This work is not some passive landscape, on the contrary actually. It is instead a sea…
Quietly sculptural and gracefully worn, this vintage chair from @dankegalerie echoes the vision of French modernist icon Jean-Michel Frank, …
There’s a reason we keep coming back to Taj Mahal quartzite. It has a softness that doesn’t feel fragile, and a depth you don’t notice at fi…
What’s the recipe for your dream bathroom? 1 part unlacquered brass 2 parts rich walnut 4 parts inky green tile Shake until exquisitely be…
There are moments in travel that feel almost too rare to explain, and having the Valley of the Kings to ourselves was one of them. It is sur…
We believe the truth of a piece reveals itself in how it is made and how it is truly lived with. We want the story to settle into the grain.…
Frank Weston Benson’s Girl Playing Solitaire, 1909. Oil on canvas. In Girl Playing Solitaire, the power of the piece lies in what is not…
First embraced during the Art Deco era, palm wood found its voice through designers like Eugène Printz, who understood that its graphic grai…
Egon Schiele’s Self-Portrait with Chinese Lantern Plant, 1912. Oil on wood. Painted in 1912, this self-portrait marks a turning point for S…
Charles Dudouyt’s Bleached Grand Oak Cabinet, 1940s. Unlike the ornate classicism often associated with early 20th-century French furniture…
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