
The apartment in Paris, before the room fills. GUBI’s Fall 2026 collection during a quiet late afternoon; the newest pieces keeping company …

GUBI’s Fall 2026 collection. Coming tomorrow.

Murano, 1969. Four layers of mouth-blown pulegoso glass, each one softening the light a little further. Carlo Nason’s Lotus Lamp returns …

Before a room has color, texture, or furniture, it has light. The way a lamp radiates that light decides what we notice, where we gather, an…

Layers of light. Designed in Murano in 1969 and out of production for more than fifty years, Carlo Nason’s Lotus Table Lamp returns. Its fo…

Low, fluid, continuous, the F300 by Pierre Paulin holds a shape the eye can follow the whole way around. There is no front to it, no back, n…

Same curve, different skin. Velvet that catches the light, leather that absorbs it, wool with a deep and quiet pile. The F300 by Pierre Paul…

We are back in Zonhoven, inside the concrete house Pieter Peulen is always rearranging. The Belgian photographer lives and works here among …

At first glance, Elogio appears effortless, yet its foundation is rooted in considered architecture. The frame sits low and grounded, drawin…

In an interior by Studio Bob van Zonneveld, the Poltrona Tria Lounge Chair finds its place. Its rattan frame is shaped through steam and sec…

At the Woodrow Wilson House, Joelle Kutner and Jesse Rudolph from Ome Dezin work the P3 Lounge Chair into the distinctive arrangement that c…

GamFratesi’s Beetle in its familiar form, awaiting the final fitting to transform it into a chair. Within GUBI’s upholstery workshop, the p…

Timberline finds its place within the home, shaped by technical knowledge and a sense of artistic curiosity. Each setting reveals a distinct…

New light and new stone. Doric, GamFratesi’s marble table, now in new colourways, is joined from the archive by Carlo Nason’s Lotus Lamp an…

Architect Linda Korndal designed the shelving system with a focus on its legs: oversized feet that raise the frame and allow the structure t…

Four seats from four eras. Tobia Scarpa continues the 1974 Elogio in a new Ottoman. Marcel Gascoin’s M-Chair and Illum Wikkelsø’s SW50 Sofa…

Diffused. Light passes through silk and pleated canvas, and the lamp itself becomes the glow. Named after the tree line, where wood gives w…

Ambient. The kind of light you notice only when it is gone. Designed in 1948 for Finland House in New York, the 1965 Pendant carries Tynell…

Stone grounds the Gravity collection, while light offers a gentle balance. Space Copenhagen introduces two new marble options: Maroon, which…

Outside while it lasts. An early-autumn table, set one more time before the season turns indoors. Rainer Daumiller’s side chair in pine and…

Sculptural. The light takes a new shape. Frattini understood that light has an unparalleled power to make or break a space. He conceived th…

Wherever the evening drifts, light follows. Cordless and rechargeable, ready to move from the table to the terrace. Obello, Seine, Multi-Lit…

A sofa can mirror the patterns of everyday living: a leg over the arm, a shoulder against the bolster. In 1974, Afra and Tobia Scarpa consid…

Designed in 1951 and lit in 2026. Ejner Larsen and Aksel Bender Madsen showed the Silk Lantern at the Cabinetmakers’ Guild Exhibition. Then…
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